Traditionally, the eyes and eyebrows are drawn following the natural shape. Then, red rouge is spread across the eye area, blendingĭown to the cheeks and stopping just at the bridge of the nose. For the most common type of makeup, the white and redĪ white or off-white base foundation is applied to the entire face, including Performers also have to be careful not to ruin their makeup orĬantonese Opera makeup is very unique andĭifficult to master. Many emotions have certain facial expressions and body gestures that go along While actors are singing and moving around on stage, they also have toĪct! Cantonese opera acting is not the same as acting in movies or on TV. This type of play focuses more on facial expression, tone of Weapons, performers show of their abilities in water sleeves work (see termsīelow). Tend to be dramatic and the movements are soft and slow. These are the plays whose characters are either scholars, royalty. Mo plays are action-packedĪnd intricately choreographed, often using weapons. One is called " Mun," and the other is called, " Mo." There are two types of Cantonese Opera plays. Saxophone, and even the violin which is often used in place of the er wu. Percussion is responsible for the overall rhythm and pace of the music, whileĬantonese opera has incorporated many western instruments such as the cello, Percussion alone consists of many different drums and cymbals. Percussion, to say the least, make up the Cantonese Opera orchestra. Instruments such as the er wu (yee wu), butterfly harp, pay-paa, flute, and The singing must be combined with music, of course. Or her own personal variation and style to the melody when they sing it. One song may contain many melodies, and it is up to the singer to add his The composer of the music is praised, in Cantonese opera the music isn’t theĬantonese opera the writers put words into this pool of melodies and tunes. Cantonese Opera plays tell stories about Chinese history,Ĭonsists of innumerable melodies and tunes.
These are more often than not elaborate designs, especially when partnered up with the costumes. The “masks come from an ancient tradition of face-painting among warriors and, as with war paint, the colors and patterns bear symbolic meanings” ( ferrebeekeeper). The different masks introduce characteristics, indicate personalities, tell good and evil and distinguishes beauty and ugliness. In the Sichuan opera, there is a talent of switching masks – this can be done up to several times in a minute and even 50 times in one show. There is a certain art to creating Chinese opera masks and makeup.
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